Original compositions, arrangements, and orchestrations.
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Symphony Orchestra:
Ludwig van Beethoven: Moonlight sonata, 1st Movement
Arranged for symphony orchestra. A reinterpretation of Beethoven’s famous piano sonata movement.
Ludwig van Beethoven: Moonlight sonata, 2nd Movement
Reimagined for symphony orchestra. This arrangement brings out the light, dance-like character of the movement, transforming its gentle piano lines into a charming orchestral dialogue.
Ludwig van Beethoven: Moonlight sonata, 3rd Movement
The fast, dramatic, and turbulent finale of one of Beethoven’s most well-known sonatas. This arrangement unleashes the full power and intensity of the symphony orchestra.
Ludwig van Beethoven: Piano sonata No. 15, 1st Movement
A bright and expansive opening movement full of warmth and pastoral charm. This arrangement highlights Beethoven’s gentle lyricism, unfolding in broad, flowing themes that translate beautifully into the colors of the symphony orchestra.
Ludwig van Beethoven: Piano sonata No. 15, 2nd Movement
Elegant orchestral arrangement of Beethoven’s Piano Sonata No. 15, Movement 2—a calm, lyrical Adagio reimagined for symphony orchestra with warm woodwind colors and rich string textures. Ideal for concert programming and ensembles seeking expressive classical repertoire.
Johannes Brahms: Piano sonata No. 1, 1st Movement
A bold and majestic opening movement filled with youthful fire and sweeping Romantic themes. This orchestral arrangement brings out the sonata’s grand architecture, transforming its powerful piano writing into a dramatic symphonic landscape.
Johannes Brahms: Piano sonata No. 2, 1st Movement
A passionate and intensely lyrical movement, rich with Brahms’ early emotional depth. This arrangement amplifies the movement’s stormy contrasts and soaring melodies, revealing new colors and dynamic power within the symphony orchestra.
Johannes Brahms: Piano sonata No. 3, 1st Movement
A powerful and expansive opening movement that showcases Brahms at his most heroic. This orchestral arrangement magnifies the sonata’s dramatic gestures, brooding harmonies, and sweeping thematic contrasts, turning the piano’s stormy majesty into a commanding symphonic statement.
Johann Sebastian Bach: Toccata and Fugue in D minor
One of Bach’s most iconic and dramatic works. This orchestral arrangement transforms the original organ writing into a bold symphonic showcase, highlighting the piece’s sweeping toccata flourishes and the intricate, driving counterpoint of the fugue with expanded color and dynamic depth.
String Orchestra:
Johann Sebastian Bach: Invention No. 1
A dramatic arrangement of Bach’s famous Invention No. 1 for string orchestra. Rich string textures highlight the counterpoint in a bold, modern interpretation.
Johann Sebastian Bach: Invention No. 3
A bright and energetic string-orchestra arrangement of Bach’s Invention No. 3, featuring clear counterpoint and warm orchestral texture.
Ludwig van Beethoven: Moonlight sonata, 1st Movement
A haunting, atmospheric orchestral setting of Beethoven’s famous Adagio. This arrangement preserves the flowing triplet texture and lyrical melody while adding rich warmth and depth through full string ensemble writing.
Mélanie Chasslon: “Abandon” (Nocturne)
A lyrical and expressive Romantic-era nocturne arranged for string orchestra, featuring warm melodies, rich harmonies, and flowing phrasing. Perfect for concert programming and developing ensemble musicianship.
Mélanie Chasslon: “Fleur Aimée”
A tender, lyrical miniature by Mélanie Chasselon arranged for string orchestra—warm, expressive, and ideal for adding elegant Romantic color to your program.
Anton de Kontski: “les ruines de Hapsal”
A lyrical Romantic miniature arranged for string orchestra, featuring expressive melodies, warm harmonies, and gentle contrasts in tempo. Ideal for developing ensemble musicianship.
Quartet:
Johann Sebastian Bach: Invention No. 1
A bright and transparent arrangement of Bach’s Invention No. 1 for string quartet, showcasing clear counterpoint and intimate ensemble interplay.
Johann Sebastian Bach: Invention No. 1
A lively and colorful woodwind-quartet arrangement of Bach’s Invention No. 1, emphasizing crisp articulation and playful melodic exchanges.
Johann Sebastian Bach: Invention No. 3
A crisp and transparent string-quartet arrangement of Invention No. 3, emphasizing Bach’s lively two-voice dialogue.
Johann Sebastian Bach: Invention No. 3
A colorful woodwind-quartet setting of Invention No. 3, showcasing playful melodic exchanges and expressive timbral contrast.
Mélanie Bonis: “Romance sans paroles”
Warm, lyrical, and expressive — a string-quartet arrangement of Mélanie Bonis’s Romance sans paroles, featuring a flowing Andantino theme and rich Romantic harmonies. A poetic and elegant addition to any chamber program.
Mélanie Bonis: “Prélude”
A lyrical and expressive arrangement of Bonis’s Prélude, Op. 10 for string quartet—warm melodies, flowing lines, and gentle Romantic character throughout.
John Field: Nocturne No.1
A lyrical and elegant John Field nocturne arranged for string quartet, featuring gentle melodies and warm Romantic harmonies.
John Field: Nocturne No. 5
A lyrical John Field nocturne arranged for string quartet—featuring a flowing, song-like melody and gentle Romantic harmonies, perfect for intimate performances.
John Field: Nocturne No. 9
A serene and lyrical John Field nocturne arranged for string quartet—gentle melodies, warm harmonies, and elegant Romantic charm throughout.
John Field: Nocturne No. 10
A graceful John Field nocturne arranged for string quartet—featuring serene melodies, flowing lines, and a warm Romantic atmosphere.
John Field: Nocturne No. 13
A tender and introspective John Field nocturne arranged for string quartet—featuring gentle lyricism and warm Romantic harmonies.
John Field: Nocturne No. 15
A serene and reflective John Field nocturne arranged for string quartet—featuring a calm, songful melody and gentle Romantic harmonies for an intimate, lyrical atmosphere.
John Field: “Yearning Waltz”
A graceful, lyrical John Field waltz arranged for string quartet—warm melodies, gentle Romantic charm, and elegant flowing textures make it a beautiful concert feature.
Scott Fields Davis: “Bartokian Dance”
A bold, rhythm-driven work for string quartet inspired by Bartók’s folk-dance style—syncopated motifs, energetic accents, and modern harmonic color throughout.
Trio:
Duet:
Scott Fields Davis: “Augmentation”
A lyrical piano-and-cello duet based on the composer’s original piano work—flowing piano lines supported by warm, expressive cello writing.
Choral:
Scott Fields Davis: “and the rose feels a threat”
A lyrical and expressive Tenor-Bass duet featuring poetic text, flowing melodic lines, and warm Romantic-style harmonies — ideal for men’s choirs seeking an intimate concert piece.
Scott Fields Davis: “Ave Verum Corpus”
A warm and lyrical SATB setting of the traditional Latin prayer “Ave Verum Corpus,” featuring smooth homophonic writing, expressive rubato, and a peaceful, reverent closing cadence.
Scott Fields Davis: “Beauty is of Roses”
A lyrical Tenor-Bass duet featuring warm natural imagery, flowing lines, and gentle Romantic-style harmonies — ideal for men’s ensembles seeking an expressive, atmospheric piece.
Scott Fields Davis: “Death stands above me”
A haunting SATB setting of Walter Savage Landor’s poem — overlapping entrances, rich harmonies, and a whispered, atmospheric character throughout.
Scott Fields Davis: ” For God so loved the World”
A clear and heartfelt SATB anthem on John 3:16, featuring warm homophonic writing, steady rhythms, and an uplifting “alleluia” conclusion—ideal for church services and worship settings.
Scott Fields Davis: “Hear me when I call, O Lord”
An expressive SATB setting of Psalm 4 featuring warm homophonic writing, gentle phrasing, and a peaceful, assured closing cadence — ideal for worship services focused on prayer and trust.
Scott Fields Davis: “Let me take your hand”
A tender, expressive SAATB piece featuring warm homophonic writing, intimate text-setting, and heartfelt lyrical lines—ideal for concerts, weddings, and reflective choral moments.
Scott Fields Davis: “Praise the Lord”
A bright, energetic SATB anthem featuring strong homophonic writing, rhythmic drive, and joyful declarations of praise — perfect for church services and festive worship moments.
Scott Fields Davis: “Prelude in Awe”
A serene SAATBB choral meditation with long sustained lines, and a warm, peaceful harmonic texture—ideal for worship, contemplative moments, or concert openings.
Scott Fields Davis: “Tears, Idle Tears”
A rich and expressive SATB setting of Tennyson’s “Tears, Idle Tears,” featuring warm Romantic harmonies, lyrical entrances, and powerful text-driven phrasing — perfect for choirs seeking a reflective, emotionally nuanced concert work.
Scott Fields Davis: “The Return of Spring”
A warm TTBB setting of Horace’s seasonal text, featuring lyrical lines, flowing homophony, and vivid nature imagery—perfect for concerts celebrating the beauty of the seasons.
Scott Fields Davis: “The Valley of the shadow of death”
A warm, expressive SATB setting of Psalm 23 featuring gentle vocal lines, comforting homophonic textures, and a peaceful, reassuring final cadence — perfect for worship and devotional settings.
Piano:
Scott Fields Davis: “Bartokian Dance”
An energetic, folk-inspired solo piano work with driving rhythms, sharp accents, and Bartók-style percussive color — bold, modern, and exciting to perform.
Scott Fields Davis: “Etude in G”
A bright, flowing piano etude built on continuous arpeggios and steady eighth-note motion—an engaging study in clarity, coordination, and hand balance.
Scott Fields Davis: “Piano Works Volume I by Scott Fields Davis”
A collection of twelve expressive original works for solo piano, blending lyrical writing with etude-style techniques. This volume explores a wide range of moods and pianistic textures, ideal for late-intermediate to early-advanced players.
Other:
Johann Sebastian Bach: Invention No. 1
A bold setting of Bach’s Invention No. 1 for wind quintet with horn (quintet). Adds depth and warmth while preserving Bach’s energetic counterpoint.
Johann Sebastian Bach: Invention No. 1
A lively and colorful woodwind-octet arrangement of Bach’s Invention No. 1, emphasizing crisp articulation and playful melodic exchanges.
Ludwig van Beethoven: Moonlight sonata, 1st Movement
A faithful yet warmly expanded arrangement of Beethoven’s Moonlight Sonata for piano and strings—preserving the original’s expressive intimacy while adding rich, atmospheric harmonic color.
Compositions by Scott Fields Davis 